February 27, 2014

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Geo - Hurry Boy b/w Every Wrong Or Right (1976)

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The Look - I Am The Beat b/w You Do Those Things To Me (1980)

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Charlie Dore - Pilot Of The Airwaves b/w Falling (1979)













A - Pilot Of The Airwaves  (3:53)
B - Falling  (4:34)

Companies, etc.
Phonographic Copyright (p) – Island Records Ltd.
Published By – Island Music Ltd.
Published By – Back Dore Music
Pressed By – Sonopress

Credits
Producer – Alan Tarney, Bruce Welch
Written-By – Charlie Dore

Release:  1979
Label:  Island Records
Catalog#  101078

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May 1, 2013

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Elvis Costello And The Attractions - (I Don't Want To Go To) Chelsea b/w You Belong To Me (1978) - single

Elvis Costello is an English singer-songwriter, who became associated with the first wave of the British new wave movement of the mid-to-late 1970s.
 
"(I Don't Want To Go To) Chelsea" is a brilliant ska-inflected and funkiest song with a sick beat and that fabulous guitar riff driving another song about sexual obsession, is by some about everything from plastic surgery to prostitution, Andy Warhol to insanity.
From Elvis Costello's debut with crack backing band the Attractions from the excellent "This Year's Model" album, produced by fellow rocker Nick Lowe.







A - (I Don't Want To Go To) Chelsea (3:06)
Written-By: Elvis Costello / Produced-By: Nick Lowe
B - You Belong To Me (2:19)
Written-By: Elvis Costello / Produced-By: Nick Lowe
 

Label:  Warner Bros. Records
Genre:  Pop, New Wave, Ska
Catalog#  WB 17124
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Wings - Maybe I´m Amazed (Live) b/w Soiled (Live) (1976) - single

Wings were an English rock band formed in 1971 by Paul McCartney with his wife Linda McCartney, session drummer Denny Seiwell and former Moody Blues guitarist Denny Laine.

 
"Maybe I'm Amazed" is a song written by Paul McCartney that was first released on his McCartney album on 17 April 1970. The studio version from the album has never been released as a single. McCartney dedicated the song to his wife, Linda, who had helped him get through the break-up of The Beatles. Later, McCartney's band Wings released a single of a live performance of the song from the band's 1976 tour of America, which became a top-ten hit in the United States. McCartney wrote the song in 1969, just before The Beatles' break-up. He credited his wife Linda with helping him get through the difficult time.
Although most of his debut solo album was recorded at his farm in Scotland, McCartney recorded "Maybe I'm Amazed" entirely in EMI's Number Two studio in Abbey Road in London, where he was mixing "Every Night". He played all the instruments: guitars, bass, piano, organ and drums. Although McCartney declined to release the song as a single in 1970, it nonetheless received a great deal of radio airplay worldwide, making it one of his most recognisable solo successes.

A -  Maybe I´m Amazed (Live) (5:20)
Writer (s) Paul McCartney / Produced-By: Paul McCartney
B - Soily (Live) (5:30)
Writer (s) Paul McCartney / Produced-By: Paul McCartney

Label:  Parlophone Records
Genre:  Pop, Live
Catalog#  5C 006-98701


April 21, 2013

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Martha And The Muffins - Echo Beach b/w Teddy The Dink (1980) - single

"Echo Beach" is a song recorded by the Canadian group Martha and the Muffins in 1979. It was released as a single from their album "Metro Music" in 1980 and won the Juno Award for Single of the Year. "Echo Beach", as mentioned in the song, does not refer to a real beach but is rather a symbolic notion of somewhere the narrator would rather be, somewhere 'far away in time'. In reality, the song was created while Gane was working checking wallpaper for printing faults. He found the work rather dull and his mind drifted to times he would like to live over again. One such time was an evening spent at Sunnyside Beach on the shoreline of Lake Ontario in Toronto in summer. In 1977, "Echo Beach" was a reference made to a faded time and place gone in the lyrics of the song "Hiroshima Mon Amour" by the band Ultravox. The map shown on the cover of one version of the single is of the Toronto Islands, while another is of Chesil Beach in Dorset, England.

A - Echo Beach (3:38)
Written-By: M. Gane / Producer: Mike Howlett
B - Teddy The Dink (3:32)
Written-By: B. Harvey, M. Gane / Producer: Mike Howlett

Label:  Dindisc
Genre:  New Wave, Post-Punk
Catalog#  DIN 9

April 20, 2013

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Hello People - Book Of Love b/w How High The Moon (1975) - single

Late-'60s concept band Hello People was put together by New York producer Lew Futterman. Basing his concept on French mime films, Futterman assembled a group of Ohio musicians to make up the group, dressed in full face paint and performing wordless mime routines between their songs during their live sets. The first lineup of the band consisted of guitarist and singer W.S. Tongue, bassist Greg Geddes, keyboardist Larry Tasse, drummer Ronnie Blake, guitarist Bobby Sedita, and flute player Michael Sagarese. Taking on stage names like "Goodfellow" and "Much More," the band was born and recorded its debut, self-titled album in 1967. In 1968, Blake left the group, to be replaced by George Abruzzese. Shortly after the release of their first album, Tongue also left the band, tired of the life of performing and opting instead to become a full-time songwriter. He was replaced by singer/guitarist Pete Weston.
The band played out regularly without ever scoring a hit record, including performances on network television shows like the Smothers Brothers and Johnny Carson's Tonight Show. Another lineup shift found N.D. Smart taking over as drummer around the same time the band relocated to Los Angeles in the early '70s. The band played shows with comedians such as George Carlin and Richard Pryor before signing on as part of Todd Rundgren's touring group for a time. Eventually, Weston and Sagarese left Hello People, and the quartet version of the band would go on to recording several albums before dissolving in the mid-'70s. "Book Of Love" b/w "How High The Moon" was taken from their sixth album "Bricks" in 1975.

A - Book Of Love (2:02)
Written-By: W. Davis, C. Patrick, J. Malone / Produced-By: Todd Rundgren and Hello People
B - How High The Moon (3:14)
Written-By: G. Geddes, R. Sedita, N.D. Smart II, L. Tasse / Produced & Engineered-By: Todd Rundgren

Label:  ABC Records
Genre:  Baroque Pop, Power Pop
Catalog#  16711 AT

(P) 1975
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The Blitzz - So Free b/w Degeneration (1978) - single

All members of the Blitzz could frequently be seen playing at jam sessions in the 70s Amstedam rock-scene before they decided to join forces. When Mick Ronson heard them play at a venue in the Amsterdam Red Light District he immediately fell for the compact sound of the band. This memorable evening led to the recording of "So Free" in a London recording studio soon afterwards. The first single from The Blitzz was released by EMI in September 1978. "So Free" went up the charts in several European countries in the months to follow. After three years of successful touring the band decided to split up to pursue personal goals.

A - So Free
Written-By: Ritchie-R, Mapness / Produced By: Jon Kenneth, Dave Scott
B - Degeneration
Written-By: Ritchie-R, Mapness / Produced By: Jon Kenneth, Dave Scott

Label:  EMI Records
Genre:  Pop, Garage Rock
Recorded at:  Sound Development Studio, London

Catalog#  5C 006-25833

December 12, 2012

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(478) Boom Boom Mancini - Red Skies b/w Viva Zapata (1985)

Boom Boom Mancini is een rockgroep uit Den Haag die in de periode 1985-1987 heeft bestaan. Opgericht door een aantal leden van Urban Heroes, onder andere zanger Evert Nieuwstede. Van hun debuutalbum "Boom Boom Mancini" uit 1986, de single "Red Skies" wat niet verder kwam dan de Tipparade.

A - Red Skies (4:29)
written by: J. E. de Jonckheere, E.A. Nieuwsteede, C. G. Bik
produced by: Boom Boom Mancini and Circle Brothers
B - Viva Zapata (3:50)
written by: J. E. de Jonckheere, J.J. Ernst
produced by: Boom Boom Mancini and Circle Brothers

Release:  1985
Label:  Ring Records
Catalog#  107663

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November 25, 2012

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(477) XTC - All You Pretty Girls b/w Washaway (1984)

XTC was a New Wave band from Swindon, England, active between 1977 and 2005.
XTC doing a sea chantey at some point in its career seemed more than perfectly logical not only did it fit in with the band's stylistic experiments, it called up a sense of Old England so often evocatively touched on elsewhere in the band's work. Thus "All You Pretty Girls" from their seventh album "The Big Express", with Andy Partridge starting everything off as a dramatic, windswept call complete with martial drums before turning into a swaggering, fun stompalong. Much of the song itself is comparatively restrained it's easy to hear Partridge singing the verses much as he would for many other songs and albums but it's the steady drum punch on the one hand and the kicky whistles and squeezebox on the other that gives the song its enjoyable atmosphere. As for the lyrical invocation asking the narrator's friends to bass on his best wishes to those women 'watching and waiting by the sea,' what better vision for a heterosexual sailor's heart?

A - All You Pretty Girls (3:56)
written by: Andy Partridge / produced by David Lord & XTC
B - Washaway (4:04)
Written by: Moulding / / produced by David Lord & XTC

Released:  1984
Label:  Virgin
Catalog#  106799

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(476) Aztec Camera - All I Need Is Everything b/w Jump (1984)

Aztec Camera were a Scottish New Wave band from the town of East Kilbride, near Glasgow, formed in 1980 and centred around teenage singer-songwriter Roddy Frame.
"Knife" (1984) is their second album and was produced by Mark Knopfler of Dire Straits.
The infectious "All I Need Is Everything," benefits greatly from the Dire Straits leader's input. The introduction of keyboards (played by Knopfler's bandmate Guy Fletcher) colors the sound but doesn’t dominate the arrangement, which is rooted by a hypnotic high-register guitar figure by Malcolm Ross.

A - All I Need Is Everything (4:00)
written by: Roddy Frame / produced by: Mark Knopfler
B - Jump (2:51)
written by: Van Halen / produced by: Aztec Camera

Release:  1984
Label:  WEA
Catalog#  249273-7

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(475) The Blue Nile - Tinseltown In The Rain b/w Heatwave (Instrumental) (1984)

The Blue Nile are an adult alternative/pop band from Glasgow. The music of The Blue Nile is built heavily on synthesizers and electronic instrumentation and percussion, although later works featured acoustic guitar more prominently."Tinseltown In The Rain" (a tribute to their home town) was taken from their debut album "A Walk Across The Rooftops", released in 1984.

A - Tinseltown In The Rain (4:29)
written by: Paul Buchanan, Robert Bell / produced by: Paul Buchanan, Robert Bell
B - Heatwave (Instrumental) (6:11)
written by: Paul Buchanan, Robert Bell / produced by: Paul Buchanan, Robert Bell

Released:  1984
Label:  Virgin
Catalog#  106756

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(474) Kelly Page - A Man Like That b/w A Man Like That (Instrumental) (1984)

Kelly Page (echte naam: Gerda van Altena) is een disco zangeres uit Amsterdam.
Het meest meest aktief van 1983-1985. Ze bracht een aantal disco singles uit waarvan "A Man Like That" uit 1984 er één van was. Het nummer kwam niet verder dan de Tipparade.
Het werd geproduceerd door mastermixer Ben Liebrand die het nummer in die tijd in een aantal mixen verwerkte.

A - A Man Like That (3:50)
written by: T. Steven / produced by: Ben Liebrand & Lafleur / Recorded & mixed by: Sander Bos & Ben Liebrand
B - A Man Like That (Instrumental Version) (3:50)
written by: T. Steven / produced by: Ben Liebrand & Lafleur / Recorded & mixed by: Sander Bos & Ben Liebrand

Released:  1984
Label:  GWP Records
Catalog#  GWP 1380

November 20, 2012

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(473) The Lotus Eaters - You Don´t Need Someone New b/w Two Virgins Tender (1983)

Liverpool, England's the Lotus Eaters were mistakenly included in the New Romantic movement when they first appeared. However, although Peter Coyle (vocals), Jeremy Kelly (guitar), Mike Dempsey (bass), and Stephen Creese (drums) had the elegant attire and fashionable haircuts of New Romantic bands, their music was more understated and folksy than the synthesized Euro disco of Japan, Visage, and Duran Duran. The Lotus Eaters formed in 1982. Coyle was originally a member of the Jass Babies while Kelly played guitar for the Wild Swans with ex-Teardrop Explodes keyboardist Paul Simpson. Coyle and Kelly wanted to work together, but the Jass Babies had no need for a guitarist. Consequently, they began recording as the Lotus Eaters and were signed to Arista Records. In 1983, the Lotus Eaters released "You Don´t Need Someone New" taken from their 1984 debut album "No Sense Of Sin".

A - You Don´t Need Someone New (3:11)
written by: Coyle, Kelly / produced by: Alan Tarney / engineered by: Simaen Skolfield
B - Two Virgins Tender (3:57)
written by: Coyle, Kelly, Quinn / produced by: Alan Tarney / engineered by: Simaen Skolfield

Release:  1983
Label:  Arista
Catalog#  105920

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(472) Patrick Gammon - Do My Ditty b/w T.O.P. (1983)

Patrick Gammon (real name Philip Greenway Gammon) was a singer and producer.
This great artist from Seattle/Washington died in 1996. Before moving to Munich, he used to play keyboards for Ike & Tina Turner.
"Do My Ditty" reached the Dutch Tipparade in 1983.

A - Do My Ditty (4:08)
written by: Ponger, Gammon / produced by: Robert Ponger
B - T.O.P. (4:00)
written by: Ponger, Gammon / produced by: Robert Ponger

Released:  1983
Label:  A&M Records
Catalog#  AM 132

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(471) The Maisonettes - This Affair b/w Say It Again (1983)
















The Maisonettes were an English one-hit band formed by Lol Mason (formerly of City Boy) and Mark Tibenham. Best known from their debut single, "Heartache Avenue" (1983).
To fill out the band, two teenage models, Denise Ward and Elaine Williams, were recruited as backing vocalists.
In 1984 they released their debut album "Maisonettes For Sale", with their follow up single "This Affair". With no further hits coming, the group soon disbanded.

A - This Affair (4:08)
written by: Tibenham & Mason / produced by: Mark Tibenham and Lol Mason
B - Say It Again (3:25)
written by: Tibenham & Mason / produced by: Mark Tibenham and Lol Mason

Release:  1983
Label:  Ready Steady Go Records
Catalog#  RSG 4

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November 17, 2012

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(470) Then Jericho - The Motive b/w The Word (1987)

Then Jerico are a British rock band who became popular in the late 1980s.
Mark Shaw formed the band at the age of 21, recruiting bassist Jasper Stainthorpe and drummer Steve Wren and poaching guitarist Scott Taylor from Belouis Some.
A handful of subsequent singles and a growing live following continued to raise Then Jerico's profile and the band's first real chart success came in early 1987 with the song "The Motive" from their debut album "First (The Sound Of Music)" 1987.

A - The Motive (4:45)
written by: Then Jericho / prosuced by: Owen Davis assisted by: Shaw / engineered by: Wobbly Tony Philips
B - The Word (4:45)
Recorded (Live In London Summer 1986)
written by: Then Jericho / produced by: Owen Davis

Release:  1987
Label:  London Records
Catalog#  886174-7

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November 7, 2012

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(469) Buckeye - Where Will Your Heart Take You b/w That Kind Of Man (1979)

With a name like Buckeye, one would assume these guys come from the state of Ohio - where everything is synonomous with the term 'buckeye', as 'hoosier' is with the state of Indiana. Don't think I've ever seen a band called Hoosier though, which leads us over the stateline perhaps? No it doesn't, Buckeye have their soft rock origins in Los Angeles, where a bunch of other bands playing a similar style like Couchois, Gulliver and Sneaker were making inroads as well. Some of Buckeye's members were quite prolific in their day. Price has played with many different bands, as had Katona, who has credits with Rare Earth, Redbone. Price and Katona even appeared together on the 1981 Fortress album 'Hands In The Till'. Thom Fowle and Price also did some work with Nigel Olsson and his album 'Dancin' Shoes' plus Paul Davis' 1977 album 'Singer Of Songs Teller Of Tales'.
Since this was 1979, Buckeye threaded the needle of many genres that were turning this particular year upside. One could say this lot were fairly insulated from what was happening in the musical capitals of the world; L.A seemed to be in it's own little bubble of sunshine, and upon hearing the songs here, you can imagine how bright and happy their world must've been. Whether it's the vocal harmony richness of 'Wonder Where (Will Your Heart Take You)' from their self-titled album in 1979.

A - Where Will Your Heart Take You (2:59)
written by: Ronn Price / produced by: Ronn Price for E.L. Managements, Inc.
B - That Kind Of Man (4:38)
written by: Ronn Price / produced by: Ronn Price for E.L. Managements, Inc.

Released: 1979
Label:  Polydor
Catalog#  2095099

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(468) Gerald Masters - Falling b/w Purgatory + Paradise (1979

Gerald Masters born as Gerald Watkiss, was a musician, solo artist and songwriter, achieving fame during the late seventies and early eighties. After releasing four albums as a solo artist between 1977 and 1983, hecontinued in the music business working as a producer/writer with Island, working with artists including Andy Gibb, Neville Staples and The Equators. Following this work, he struck up writing partnerships with Aziz Ibrahim (Ex-Simply Red, Stone Roses) and Paul Beard (James Blunt, Robbie Williams, Leona Lewis). In 2006, Masters decided to write and release his own material again, under the name Rescue Party, a collaboration with fellow co-writer and producer Gareth Rhys Jones. The song "Falling" he released in 1979 from his second album "Purgatory and Paradise" in 1978.
 
A - Falling
written by: Watkiss, Atkins / produced by: Tony Atkins
B - Purgatory + Paradise
written by: Watkiss / produced by: Tony Atkins  

Released:  1979
Label:  PYE Records
Catalog#  7P 124  

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November 1, 2012

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(466) Colin Scot - Mandolin Man (1977)

Colin Scot was of origin a British folk and blues singer/guitarist. After wanderings of Amsterdam, Paris, California and Mallorca, he returned to England and worked the well-known English folkcircuit. He recorded there 3 albums. Colin was one of the legions of troubadours pounding the provincial folk circuit back in the 60s when the demarcation lines between folk and rock were well drawn.  His tactic of covering Buddy Holly songs in his live set caused frowns from folkie purists but probably stood him in good stead when it came to supporting Van der Graaf Generator or King Crimson in the bigger venues. The graveyard support slot was always a tough spot, and Scot was better at it than many of his more famous contemporaries.  Scot had the kind of juice that attracted various members of Genesis, Lindisfarne, Van der Graaf Generator, Yes, Rare Bird, and Robert Fripp from King Crimson to populate his first album recorded in 1971.Scot’s yearning and muscular voice (reminiscent at times of an early Elton John or Alan Hull) is gritty and full-blooded and is used to best effect on the elegiac.
The single "Mandolin Man" his first single on the RCA label was produced by Tim Griek (ex-producer of the dutch bands Focus and Brainbox).

A - Mandolin Man (3:28)
written by: Colin Scot / produced by: Tim Griek for Unisong Productions / arranged by: Will de Meyer
B - Boris (2:58)
written by: Colin Scot / produced by: Tim Griek for Unisong Productions / arranged by: Will de Meyer

Release:  1977
Label:  RCA
Catalog#  PB-9146

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